Celemony Melodyne3 Studio
With version 3, Melodyne is no longer limited to melodies but offers a unique algorithm that can perform high quality time
stretching on full chords and complex audio signals; so now harmonic material (such as rhythm guitar or piano parts) - whether
homophonic or polyphonic - can be transposed (without altering the tempo), slowed down or sped up (without altering the pitch)
and even quantized. What's more, all this can be done in real time with the sound quality for which Melodyne is famous.Very
high quality time stretching and pitch shifting - even for polyphonic and complex audio material Whether the material contains
block chords (homophony) or parts that are melodically and rhythmically independent (polyphony), Melodyne3 is able to apply
pitch shifting, time stretching and quantization to it in real time - and the sound quality is all you would expect from Melodyne.
This uniquely flexible way of handling audio material will lead to a whole new style of working in the studio: with Melodyne3,
the note-based rearrangement and remixing of songs are child's play, offering producers new creative options when dealing
with harmonic tracks. Far more reliable note recognition The analysis now takes account automatically of the type of audio
material, obviating the need for further programming. If you are batch processing a set of files of the same type, you can
also create and store your own recognition templates. Macros for the correction of intonation and timing errors The macros
introduced by Melodyne uno for the swift correction of notes that are out of tune or mistimed as well as for creative requantization
are now also available in the multi-track versions. Simpler arrangement editing New global tempo parameters in the Transport
pane New intuitive tempo control using the Auto-stretch' function More efficient tempo control making the existing arrangement
tools superfluous Context-sensitive Move Notes tool Tempo/Time signature changes can be typed in quickly in the Bar/Time ruler
More powerful editing functions When you load a single audio file, the Editor opens automatically Simpler export of edited
audio files all export parameters are set automatically to the correct values Efficient combi-tools streamline the editing
of pitch, formants, amplitude and time, making the existing tools superfluous You can now access the commands in the tool-based
action menus directly from the Edit menu, without needing to change tools Blobs can be transposed using Local Sound Synthesis
audition control You can toggle between the two most recently used tools using a user-definable keyboard shortcut Data-related
improvements Batch processing in the Melody Manager Compatibility with Liquid Sounds from Ueberschall Improvements in the
layout and workflow New navigation and zoom shortcuts in the Arranger and Editor Grid size for editing can be set quickly
in the Bar/Time ruler Easy scrubbing with the Bar ruler in the Arranger and Edit